Elspeth diederix biography channels

Elspeth Diederix

For her series When Remove clothes Disappears Elspeth Diederix, one lady the Netherlands’ most original aesthetic photographers of nature, ventured grow to be the secret gardens of Zeeland’s waters. The benthic flora last fauna of this chilly, pale, green-grey water turned out exchange display an extraordinary visual affluence that was a perfect add-on to the large body extent botanical work that Diederix has made in gardens and parks.

Enthused and inspired, she took on the ordeal of swimming there in order to appearance underwater photographs of the awe-inspiring colour formations revealed by throw away lights. Through Diederix’ goggles incredulity glimpse an unspoiled underwater heaven, where life – in rank form of shells, sponges, seaweeds, anemones and other organisms – shows its most colourful side.

A blaze of colour on justness Dutch sea bed

The title a mixture of the exhibition, When Red Disappears, refers to the phenomenon cruise the deeper one dives nobleness more the colour red vanishes from the visible spectrum, rectitude result of various physical become peaceful optical factors.

Only when greatness sea bed is illuminated immediately are the extraordinary colours advance its inhabitants revealed in gross their glory. Diederix has employed underwater photographs before, in steamy and subtropical seas, images show signs assemblies drifting in the drawing blue of the sea. That, however, was the first while she had ventured into Country waters.

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This new working kingdom immediately prompted new working methods: rather than staging scenes, Diederix now concentrated on depicting quality itself. In this sense Just as Red Disappears forms a similitude to the blog she going on in 2009, The Studio Leave, in which her interventions control gradually moved to the neighbourhood and the pure beauty ticking off nature allowed to come condemnation the fore.

Remarkable affinities with painting

Diederix’ underwater photographs call up dealings with visual equivalents in make-believe history.

She makes no private of the fact that she has been inspired by 17th-century still-life paintings of the Error Countries, and in fact that genre formed one of position central impulses of her submerged photography: she purposefully searches superfluous tableaus that closely approach loftiness genre in terms of layout, colour and lighting, and succeeds remarkably well.

Although it task a correspondence that she has not consciously sought, Diederix’ microfilms also show some similarities redo abstract-expressionist paintings of the Forties and 1950s.

Combinations with objects stick up the Rijksmuseum

When Red Disappears includes a number of valuable plant on loan from the Rijksmuseum which form a perfect hostility with Diederix’ photo series.

Significance stately red period room esteem showing Still Life with Octopod Beaker (1648–1688) by the 17th-century painter Frans Sant-Acker, a muffled work with which Diederix’ similar lifes show a strong tendency with regard to composition, radiance, colour and the detailed transliteration of texture. Here, two globes widely separated by time, peripheral and location come together.

Influence gallery showing Diederix’ shell photographs also displays an actual barrage with traces of red paint; it was found amongst say publicly remains of Willem Barentsz’ 1596 winter shelter, Het Behouden Huys, on Nova Zembla. The leisurely pigment on this object review also a nod to blue blood the gentry title of the exhibition.

Accurately the Bel-etage, the book La photographie sous-marine et les progrès de la photographie (1900) impervious to the biologist Louis Boutan (1859–1934) – the world’s first submarine photographer – opens to straight page showing a photograph appreciate a diver under water layer full diving gear. These important objects help to bring concepts such as aesthetics, craftsmanship, build up historical awareness into sharp relief.

A unique loan: Anna Atkins’ photobook

In recent years Diederix has anachronistic increasingly inspired by nature upturn, without recourse to any forming.

Her underwater series shows unornamented thematic kinship with the goodlooking and extremely rare photobook Photographs of British Algae.

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Cyanotype Impressions (ca. 1843–1853), loaned especially for that exhibition by the Rijksmuseum. Magnanimity English botanist and photographer Anna Atkins (1799–1871) devoted herself hold down the scientific study of seaweeds, which she documented systematically exercise cyanotypes (blueprints). In the veranda containing Diederix’ photographs of seaweed, Atkins’ book engages in grand trans-historic dialogue between these deuce female photographic pioneers.

Photobook designed disrespect Hans Gremmen

On the occasion stand for this exhibition Fw:Books is manifesto the photobook When Red Disappears.

Besides a rich selection discount images from the series, printed in ‘extended colours’ and rot against a black background, emulate contains an essay by nobility noted science writer Philip Shrill. Designed by Hans Gremmen, printed by robstolk, 88 pages, shaft priced €35, it is allocate in the Huis Marseille museum shop.

Biography

Elspeth Diederix (Nairobi, 1971) extreme her studies at the Gerrit Rietveld Academy in 1995 (specializing in Free Work) and break 1998 to 2000 she was a resident artist at Amsterdam’s Academy for the Visual Art school.

Before she started photographing she made sculptures and paintings, professor both influences can still do an impression of traced in her photographic lessons. In 2002 Diederix won goodness Prix de Rome for Picturing, and since then she has enjoyed international renown as capital photographic artist. Huis Marseille has shown her work before, just right the group exhibitions Supernatural (2004) and The Rediscovery of blue blood the gentry World (2013).

In 2009 Diederix started a blog, The Mansion Garden, and since 2018 she has maintained a large common flower garden in Amsterdam’s Humanist Park under the name Goodness Miracle Garden – a pleasure garden which also serves as second atelier.