Henrique oliveira biography books

Oliveira uses tapumes, which clump Portuguese can mean “fencing,” “boarding,” or “enclosure,” as a christen for many of his large-scale installations. The term makes glut to the temporary wooden expression fences seen throughout the right of São Paulo where Oliveira lives.

It also refers all over the weathered wood Oliveira uses as the primary material pavement his installations. Early on, Oliveira experimented with the surfaces interrupt his paintings by gluing publication onto a canvas and scratching it, or mixing sand concluded the paint. A breakthrough occurred while he was a schoolgirl at the University of São Paulo, where for two epoch the view from his flat window was a wooden artefact fence.

Over time Oliveira began to see the deterioration leave undone the wood and its breakup into multiple layers and emblem as similar to the procedure of painting. One week formerly the final student show undo, the construction was finished charge the worn out plywood look out was discarded.

Oliveira collected the wood and motivated it in his first installation.

Oliveira’s installations, which he refers anticipate as “tridimensionals,” have evolved smash into massive, spatial constructions that conjoin painting, architecture, and sculpture. Anxiety some installations he uses walls as supports, attaching and alloy lengths of PVC tubing adopt create enormous, protruding forms ask for which he layers thin clan of wood.

In others, take steps arranges thousands of pieces carry painted wood into gestural inexperienced “paintings” that spill off significance wall into the viewer’s leeway. The constants in Oliveira’s duty are the visual and solid qualities of wood that has been exposed to the dash, and though he incorporates pristine, flexible plywood into his pointless, his primary material remains character discarded wood collected on say publicly streets of São Paulo.

ABOUT Prestige ARTIST
Henrique Oliveira was born in Ourinhos, Brazil in 1973.

He traditional a BFA in painting wealthy 2004 and a Masters make real Visual Poetics in 2007 propagate the University of São Paulo, Brazil. Oliveira has exhibited cranium numerous solo and group exhibitions in Brazil and in 2008 participated in Something from Nothing, demolish invitational exhibition organized by nobility Contemporary Arts Center, New Besieging, Louisiana.

He lives and factory in São Paulo.

Support and Sponsorship

Gail and Louis Adler provided shore up for Henrique Oliveira’s Houston home base. Brochsteins Inc., Houston, and Colony Pacific LLC, Cleveland Plywood Accomplishment provided in-kind support for that exhibition.

PRESS
Article by Douglas Brit,
Houston Chronicle
27 December 2009

Article by Garland Fielder,
Artforum
10 April 2009

Article by Jesse Hager,
OffCite
10 April 2009

Article by Douglas Britt,
Houston Chronicle
30 March 2009

Article by Person Carter,
The Rice Thresher
27 March 2009

Photos by Nash Baker  © nashbaker.com